'Film Analysis on There Will Be Blood and the Bicycle Theif Essay\r'

'Ladri di Biciclette and there leave behind be Blood Character Analysis Ladri di Biciclette takes place in 1948 post-World War II Rome and is considered one of the scoop works of Italian Neorealism. There volition be Blood is an American drama frivol away fixed in the late nineteenth and early ordinal century. It is considered one of the best films ever created. Despite their m some(prenominal)(prenominal) an(prenominal) differences, these two films share plenty of common ground. The ascendant of these two powerfully inspiring movies is that of a upturned kinship between a draw and a male pip-squeak.\r\nLadri di Biciclette is one of the few films that do not observe the hero cycle. At no point in the plot does Antonio Ricci, played by Lamberto Maggiorani, ever surrender himself. Instead, he plummets down to the shocking level of stealth another’s bicycle. It is at this point in the story line Bruno, his son played my Enzo Staiola, will forever see his contra ct differently. When Antonio slaps Bruno, Bruno’s population changes drastically. He has neer been treated so raspingly like this by his be bumter, someone he chicanes and trusts dearly. This is the early time his perfect image of his dad is shattered. take down though Antonio is put in multiple incorrupt situations, he truly loves and cares for his son. For example, when he hears the cries of a fine boy drowning he rushes over to the commotion hard put the little boy is Bruno. Fortunately, the boy is not Bruno and he picks up his son in a steadfast embrace. There are some moments in the film where Antonio for get holds his son is with him.\r\nFor instance, when he spies the thief he will run after him not idea of his son and whether or not he will get lost exhausting to keep up in the chase. Still, he will look down to his son and ask if he is tired or hungry. thence he accommodates to the little boy’s needs. Antonio is trying to provide the best flavour possible for his family level if it meant doing something morally incriminating. Although his father has treat him wrong a few times, Bruno dos how stressful of a situation his father is in and tries to keep his dad in slap-up spirits. In the last scene Antonio has a blanched stare and is fighting the urge to cry. Bruno, watching his father, takes his hand. As Antonio looks at Bruno, the camera watches as they disappear into the crowd. They k flat that the bicycle will never be found, and the kill can clearly be seen in Antonio’s blank stare. In There will be Blood Daniel Plainview, brilliantly acted by Daniel Day-Lewis, adopts one of his dead person worker’s orphaned son, played by Dillon Freasier.\r\nPlainview names his son H.W. and he becomes Plainview’s business sector â€Å"p artistic creationner”. Later, his son loses his hearing in a drilling accident. Daniel boards a shoot with his boy and gets up, not looking back as he abandons the train and his child. Daniel doesn’t really feel a spillage when sending his son away since the kid is not relationship related. He feels H.W. does not have any of his qualities or personality. He eventually reunites with his son, who has now steadily built resentment for his father. H.W.’s teacher and phonation becomes his new father figure in life as he and Daniel drift apart with his fetching to be a drunkard and his more rapacious behavior. In one of the last scenes H.W., played by Russell Harvard) has married his childhood sweetheart and is visiting his now wealthy father to discuss ending their confederation and starting his own fossil oil company in Mexico.\r\nDaniel mocks his son and tells H.W. that he is an orphan by saying, â€Å"You’re an orphan from a basket in the philia of the desert. And I took you for no other reason than I needed a sweet face to secure land. Did you get that? Now you know. Look at me. You’re lower than a bastard. You have none of me in you. You’re just a bastard from a basket.” H.W. leaves his father with no regrets and tells his â€Å"father” he is glad he doesn’t have any of Daniel in himself. Clearly these two have had relationship problems from the beginning. H.W. loved and idolized Daniel Plainview, even though the love was usually not returned. His deep interest for oil drilling started and grew all because of Daniel, and for that reason he was satisfying and still loved his father, Plainview. Plainview only if cared virtually money and power, so when his son lost hearing, due to the fusillade at the oil site, he simply vista of the money he would make not well-nigh the well being of his only child.\r\nWhen he leaves his child to help with the fire, H.W. for the first time is lost, confounded, scared, and feels betrayed as his father lets go of him, leaving him in the dark with unreciprocated questions. Daniel Plainview never realizes that even though H.W. is not blood related he still raised, cared, and provided for this â€Å"bastard from a basket”. In both films the two father figures struggle with the yearning for power, money, social bring in, and their want. Antonio cannot stop thinking of the money he would make if his bicycle is found. He thinks of the different life style he and his family would get to live with the salary he would be making. Anderson, the conductor of There will be Blood, was inspired by the fact that Sierra Madre is â€Å"about greed and ambition and paranoia and looking at the worst parts of yourself”.\r\n all in all of those traits can easily be found in Daniel Plainview. Daniel even admits to his half brother’s faker that he has this hatred and competition in himself. The computer address Daniel Plainview shows the savagery and obsession in humanity by draining the land of its natural resources for power and wealth. There will be Blood not only addresses the broken father son re lationship entirely also the dark heart of free enterprise. It displays the sexual workings of capitalism and how not only gain but domination is the ultimate goal in this grand scheme called politics. These two films are vast influences in not only the film exertion but also give great messages about life. Neither of the films follow the hero cycle and the fathers never redeem themselves. This adds to the magnitude of these pieces of art for the reason that it makes them crotchety and sets them apart from other great works of art in film.\r\n'