Carol Ann Duffy’s poetry Essay

enchantress by sing Ann Duffy has an undeniably sexual cistron discharge without an element which is highlighted by its revelatory language and presentation of gender roles mingled with the char flirters crap and siren. Many of Duffys metrical compositions have a similar element running through them such as in Salome, Little Red equitation Cap and Pygmalions Bride therefore it tooshie be utter that her poetry is principally implicated with the politics of sex. However, Carol Ann Duffy states in an interview in 2005 that temptress is non near sex but is a do poem exploring the nature of fuzzs wish to travel flaccid, loving and tender. This would therefore signal that the main concern of the poem is more(prenominal) to do with love, causation and gender.There atomic number 18 several references to sex throughout the poem, still the most direct reference comes in the fourth stanza where Samson get bys enchantress. This is in dangerous contrast to his reque st in the tercet stanza only three lines above of wanting(p) to learn how to care, or be gentle or loving or tender. Despite wanting to become gentle, Samson fucks Delilah rather than makes love to her, implying that his wish was only a half-hearted iodine i.e. a wish he only makes but non something he would act upon. He fuck(s her) again further shows this is not the first date Delilah has been fucked suggesting a repetitive nature of this act. Furthermore, Delilah allows herself to be fucked through Delilahs submission, Duffy could be making a statement that women eject not break free from this mortify role in sex.Samsons language is also sexually suggestive, perchance implying that a man can not have his libido driven out of him heedless of the situation. For example, in the second stanza Samson is blow about his achievements which demonstrate his strength and fearlessness, notwithstanding he is distracted by a sexually suggestive note, telling Delilah to put your ha nd here -. This continues in the third stanza he asks for a resume for his inability to be gentle and in the following line proceeds to fuck her as though he believes the recruit is in fucking her. The situation Samson opening up to Delilah about something personal- would usually be assumed to be free from anything conjuring violence unless Samson fucks her any counsel suggesting that regardless of the time or place, sex is something which remains rearing in a mans mind.On the other hand, it could be said that rather than sex, the main concern of the poem is with power distribution in this relationship. Whilst some(prenominal) would argue that Delilah was dominated by Samson in the poem cod to the sex, in the end Delilah sunburn Samsons hair which biblically be the demise of his strength. Cutting his hair in the poem whitethorn be exemplary of her dominating Samson as she has successfully seduced him and at his most vulnerable (during slumber) she has interpreted away his strength. This is also in correct with the biblical story in which Delilah disarms Samson and gives him up to the Philistines, ultimately dominating him.Sex is only a way by which Samson is pacified after which he goes to sleep and becomes soft, thus vulnerable. Furthermore, Delilah cuts Samsons hair with deliberate, perfervid hands suggesting she enjoyed disarming him and stealing his power away from him. This is a reversal of the classifiable gender roles in literature and Delilahs passionate hands may be showing that Delilah enjoyed this.Furthermore, the composition that Delilah had to pacify Samson through sex suggests an element of power on Delilahs side as sex was a method through which she satisfied Samson and put him to sleep, go forth him vulnerable. Duffy may be making a statement through this that women can habit their sexuality as a artillery to weaken men and thus catch up with them. This interpretation is concerned with both sexual politics and power distributi on demonstrating that Duffys poetry is not only concerned with the politics of sex.